Re: Are you a BS sucker?
Just so everybody knows, it isn't just New Age-y people who fall for Bill's Shirt.
It's SCIENTISTS, too.
Publishers withdraw more than 120 gibberish papers: Conference proceedings removed from subscription databases after scientist reveals that they were computer-generated. (here is the generator: SCIgen - An Automatic CS Paper Generator)
Here is a generator for post-modernist literary criticism: https://pdos.csail.mit.edu/archive/scigen/
And here is one to generate "Artistic Statements": http://www.artybollocks.com/#abg_full
I could go on and on and on and on.
and on.
Just so everybody knows, it isn't just New Age-y people who fall for Bill's Shirt.
It's SCIENTISTS, too.
Publishers withdraw more than 120 gibberish papers: Conference proceedings removed from subscription databases after scientist reveals that they were computer-generated. (here is the generator: SCIgen - An Automatic CS Paper Generator)
Here is a generator for post-modernist literary criticism: https://pdos.csail.mit.edu/archive/scigen/
And here is one to generate "Artistic Statements": http://www.artybollocks.com/#abg_full
My work explores the relationship between emerging sexualities and romance tourism.
With influences as diverse as Blake and John Lennon, new variations are manufactured from both explicit and implicit structures.
Ever since I was a child I have been fascinated by the essential unreality of the zeitgeist. What starts out as vision soon becomes finessed into a manifesto of defeat, leaving only a sense of chaos and the prospect of a new synthesis.
As temporal replicas become reconfigured through emergent and personal practice, the viewer is left with an epitaph for the limits of our existence.
With influences as diverse as Blake and John Lennon, new variations are manufactured from both explicit and implicit structures.
Ever since I was a child I have been fascinated by the essential unreality of the zeitgeist. What starts out as vision soon becomes finessed into a manifesto of defeat, leaving only a sense of chaos and the prospect of a new synthesis.
As temporal replicas become reconfigured through emergent and personal practice, the viewer is left with an epitaph for the limits of our existence.
and on.
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